Las óleos de todo Hercules Seghers


Choice ID Image  Painting (From A to Z)       Details 
40431 Broad Valley Landscape with Rocks  Broad Valley Landscape with Rocks   mk156 c.1625 Oil on canvas transferred to panel 55x99cm
89089 Landscape with City on a River  Landscape with City on a River   between 1627(1627) and 1629(1629) Medium oil on oak cyf
3870 Mountain Landscape  Mountain Landscape   1620-30 Galleria degli Uffizi, Florence
74751 Mountainous landscape  Mountainous landscape   Oil on panel 48 x 64 cm cjr
76252 Mountainous landscape  Mountainous landscape   Medium Oil on panel Dimensions English: 48 x 64 cm cyf
93249 Panoramic landscape  Panoramic landscape   circa 1625 (1615-1635) Medium oil on canvas mounted on panel Dimensions 29.3 x 45.7 cm (11.5 x 18 in) cjr
89085 View of Brussels from the North-East  View of Brussels from the North-East   1625(1625) Medium oil on oak cyf
91048 View of Brussels from the North-East  View of Brussels from the North-East   1625 Medium English: Oil on oak, 24,5 x 39 cm Dimensions English: 24,5 x 39 cm cyf
89086 View of Rhenen  View of Rhenen   between 1625(1625) and 1630(1630) Medium oil on oak cyf

Hercules Seghers
1590-1638 Dutch Hercules Seghers Gallery Hercules Pieterszoon Seghers or Segers (c. 1589 ?C c. 1638) was a Dutch painter and printmaker of the Dutch Golden Age. Segers is in fact the more common form in contemporary documents, and was used by the painter himself (modern use is about equally divided between the two). He was "the most inspired, experimental and original landscapist" of his period and an even more innovative printmaker. He was probably best known to his contemporaries for his paintings of landscapes and still-life subjects; his paintings are also rare, with perhaps only fifteen surviving (one was destroyed in a fire in October 2007 ). The Stadholder, Frederick Henry, Prince of Orange bought landscapes in 1632. Many of his painted landscapes are fantastic mountainous compositions, whereas in his prints it is often the technical approach rather than the subject which is extreme. His painted landscapes tend to show a wide horizontal view, with emphasis on earth rather than sky; two in the Gemäldegalerie, Berlin had strips of sky added at the top later in the century to meet a changed taste. Apart from Coninxloo, Seghers drew from the Flemish landscape tradition, perhaps especially Joos de Momper and Roelandt Savery, but also the "fantastic and visionary aspects of Mannerist" landscape painting. A 1680 inventory of Jan van der Capelle, who owned five paintings by Seghers, describes one as view of Brussels, which if correct would presumably mean Seghers travelled there, probably when young, when his style shows most Flemish influence (in so far as the chronology of his work is clear).



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